London and the Emergence of a European Art Market, 1780-1820 sustainable the author uses Khnopff's portraits

the author uses Khnopff's portraits as a springboard for a broader discussion of symbolist art

—Winterthur Portfolio

Édouard Kopp is assistant curator in the Department of Drawings at the J

the famed engraver and designer not only praises the structural audacity of Etruscan architecture and contends that the Etruscans—not the Greeks—were the artistic mentors of the Romans but also argues for a Roman-inspired exuberance in design that draws freely on all forms and traditions of ancient art

London and the Emergence of a European Art Market, 1780-1820 sustainable the author uses Khnopff's portraitsEdited by Susanna Avery Quash and Christian Huemer In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 17801820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty